Today, we begin a quick mini series on a pair of poems. Both poems are titled "Water Dragon Chant," the first is by Zhang Jie, the latter by Su Dongpo. The latter was written in response to the first one. Both choose a specific kind of flower as their subject. This week, Lee and Rob debate whether Zhang Jie's poem is a nasty poem about that uses flower petals as metaphors for sperm and skeeting (please do not google this term). 

Today, we are looking at a science fiction short story, translated in Ken Liu's excellent collection Invisible Planets. It is by Xia Jia, who is both a science fiction writer and a scholar of Chinese science fiction. Her story, Hundred Ghosts Parade, is a fascinating look at tradition, change and Chinese culture. 

This week, we are honored to get Megan Walsh on the podcast. She is the author of The Subplot: What China is Reading and Why It Matters, an excellent survey of Chinese literature today that was recently published as a part of the Columbia Global Reports. Megan was kind enough to share her insights into the state of contemporary Chinese literature with Rob and Lee. 

In this last episode in our lengthy series on Lu Xun, we look not so much at Lu Xun himself, but the Lu Xun that has been imagined in the minds of Communist Party apparatchiks. Here we try to tackle the legacy of Lu Xun and how it is has been interpreted. 

Today, we interview Professor Roy Chan. Professor Chan is not only one of the most interesting thinkers trying to tackle Lu Xun in the American academia, but he is also the mentor of both Lee and Rob. Professor Chan is the author of The Edge of Knowing, an exploration dreams in the work of Lu Xun and other 20th Century Chinese writers. Today, Professor Chan discusses one of Lu Xun's most enigmatic works, Wild Grass.